Liège Liturgical Chant

The Celebration of the Founder Bishops of Liège

I’m happy to provide a link to a wonderful book by Catherine Saucier that I reviewed recently for Early Music, and which is now available on the website Oxford University Press through advance access. I’d highly recommend reading this book not only to those interested in medieval liturgy or the city of Liège, but to anyone interested in the involvement of individual actors in the structuring the narrative of their past, and in particular their civic past, and in how we as cultural historians might recover that narrative through careful analysis and consideration of the the partial remnants that survive in the archives, liturgical books, literature, art, and architecture of a medieval city. The link to the PDF by kind courtesy of Oxford University Press follows, as does the citation and first paragraph of my review.

Karen Desmond, ‘Clergy and City’. Book Review of A Paradise of Priests: Singing the Civic and Episcopal Hagiography of Medieval Liège by Catherine Saucier (University of Rochester Press, 2014) in Early Music (April 2015).

Full Text:


In A Paradise of Priests, Catherine Saucier weaves a compelling narrative centered on the lives of Liège’s founder-bishops as celebrated in the hagiography, art, rituals, and music made, enacted, and reenacted by the medieval clerical population of the Liège. Through an expert examination of an impressively vast array of sources—including archival, liturgical, artistic, and hagiographic—Saucier analyses the changing image of the city and its founder-bishops through nine centuries of documentary record. The story centers on the celebration of the lives and deaths of three bishops—Theodard (d. ca. 668), Lambert (d. ca. 700), and Hubert (d. 727)—who were credited with the foundation, promotion, and protection of Liège. Liège, a large and wealthy city, and capital of the prince-bishopric from 985, had large numbers of secular clergy, encompassing a cathedral and seven collegiate church chapters totaling (in the fourteenth century) between 700 to 800 canons (p. 32). It was, as Petrarch observed, a ‘place noted for its clergy’ (p. 4).

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